I wrote my third novel between about 2007 and 2015. I can’t say it took a full eight years to write – I got stuck in the final third for a couple years – but it was an ambitious project. I’d gone from a third person novel to a first person novel, and now I was going back to third person again.

For Miles of Files, I wanted to paint with a broader palette than ever before, and I actually had a few things in mind. For one, I wanted to have tiers of characters like Charles Dickens did in Dombey and Son: primary, secondary, and tertiary. The tertiary characters are mainly commentators, who pass on information about primary and/or secondary characters. I wanted to make sure each character was unique and different enough from the others that the reader could easily identify them. So I went through the Myers-Briggs personality types and assigned them accordingly.

Miles started with the germ of an idea. Paul Panepinto works as a low-level employee in an insurance corporation. He finds out that his boss, the second-in-command, is stealing from the company retirement plan. Paul fears that he’ll lose his job if the owner doesn’t believe him, but he can’t just stick his head in the sand either. Talk about a highly uncomfortable dilemma.

Said boss, Graham Woodcock, is a Brit transplant who shows blatant contempt for Americans right from the first chapter. Now, I’ve been a diehard Anglophile for years, so you may wonder why I would create such a contemptible British character as Graham.

The roots of the Graham character probably go back to my twelve-year-old self discovering the magic of Monty Python’s Flying Circus. Some of the ensemble – notably, Graham Chapman and John Cleese – had the pompous fool character down pat. The love-hate relationship between the U.S. and the U.K. came through for me even louder and clearer in another Cleese showcase, the 1980s film A Fish Called Wanda.

In that film, Cleese plays an amiable attorney (barrister, in British parlance) enamored with all things America…in particular, with Jamie Lee Curtis. I consider Kevin Kline, who plays Jamie’s fake brother, Otto, a kind of American prototype of Graham Woodcock (but not nearly as smart as Graham). Otto is especially contemptuous of Brits, whom he sees as pompous, condescending, etc.

Graham arrived fully formed, and I’ll be honest: I had a hard time letting him go. I actually had a hard time reining him in and keeping him from taking over the book! By turns ruthless, greedy, misogynistic, and pompous, I also think of Graham as reflective, a fan of classic American jazz, and very, very funny. I might have to make him the main character in another book somewhere down the line.

I wrote my third novel between about 2007 and 2015. I can’t say it took a full eight years to write – I got stuck in the final third for a couple years – but it was an ambitious project. I’d gone from a third person novel to a first person novel, and now I was going back to third person again.

For Miles of Files, I wanted to paint with a broader palette than ever before, and I actually had a few things in mind. For one, I wanted to have tiers of characters like Charles Dickens did in Dombey and Son: primary, secondary, and tertiary. The tertiary characters are mainly commentators, who pass on information about primary and/or secondary characters. I wanted to make sure each character was unique and different enough from the others that the reader could easily identify them. So I went through the Myers-Briggs personality types and assigned them accordingly.

Miles started with the germ of an idea. Paul Panepinto works as a low-level employee in an insurance corporation. He finds out that his boss, the second-in-command, is stealing from the company retirement plan. Paul fears that he’ll lose his job if the owner doesn’t believe him, but he can’t just stick his head in the sand either. Talk about a highly uncomfortable dilemma.

Said boss, Graham Woodcock, is a Brit transplant who shows blatant contempt for Americans right from the first chapter. Now, I’ve been a diehard Anglophile for years, so you may wonder why I would create such a contemptible British character as Graham.

The roots of the Graham character probably go back to my twelve-year-old self discovering the magic of Monty Python’s Flying Circus. Some of the ensemble – notably, Graham Chapman and John Cleese – had the pompous fool character down pat. The love-hate relationship between the U.S. and the U.K. came through for me even louder and clearer in another Cleese showcase, the 1980s film A Fish Called Wanda.

In that film, Cleese plays an amiable attorney (barrister, in British parlance) enamored with all things America…in particular, with Jamie Lee Curtis. I consider Kevin Kline, who plays Jamie’s fake brother, Otto, a kind of American prototype of Graham Woodcock (but not nearly as smart as Graham). Otto is especially contemptible of Britons, whom he sees as pompous, condescending, etc.

Graham arrived fully formed, and I’ll be honest: I had a hard time letting him go. I actually had a hard time reining him in and keeping him from taking over the book! By turns ruthless, greedy, misogynistic, and pompous, I also think of Graham as reflective, a fan of classic American jazz, and very, very funny. I might have to make him the main character in another book somewhere down the line.